I haven't quite thanked
Chuckles yet for her material – which lately is practically keeping this blog
off life-support; my new job (halfway through its second week) has been drawing
on a lot of my energy and creativity. Not to worry; I'll be kicking in something
soon about life as a new office manager / executive assistant. I'm also still
(mentally) writing out a long, earnest piece – likely to become a series of
pieces – on being a very liberal adult feminist male realizing he's also
anti-abortion.
Plus, I've been committed
since September to doing a further, serious posting on the silliness, that
during World War II Pope Pius XII colluded with the Nazis and/or Fascists, or
at least turned his back on the Holocaust.
And I've promised a second
weekly feature here, or every other week – probably on Thursdays or Fridays –
tentatively titled "Weekend Workshop", where longtime contributor
Spartacus lets us into one of his two spotless machine-shops and shows us how
he built his very own lapsteel guitar. This I frustratedly have to push back
into next month, or even March, while I get these other pieces completed. But
if all of you behave yourselves, and don't mess with Spartacus' equipment
during our visits to his bunker (I nearly got thrown out of one of his shops
myself, about a year and a half back, for having itchy fingers), then we'll
follow up the lapsteel with a crossbow or/and longbow, and maybe some other
goodies.
For now, though, our weekly
Writers’ Wednesday feature continues with Act 2 of Chuckles' "Is There a Doctor in
the House?", one of several of her original (and submitted)
scripts for “The Simpsons”. So once again, just uncap your Vicodin, stick out
your tongue and say “D’oh!”, and read on.
Note: This script is Copyright © 2006 by Christine
Roberts, and is registered with the Writers' Guild of America (WGA).
THE SIMPSONS
"Is There a Doctor in
the House?"
Written by Christine
Roberts
Created by Matt Groening
Developed by James L.
Brooks, Matt Groening, and Sam Simon
HOMER: DAN CASTELLANETA
MARGE: JULIE KAVNER
BART: NANCY
CARTWRIGHT
LISA: YEARDLEY
SMITH
ARNIE PIE: DAN CASTELLANETA
KENT
BROCKMAN: HARRY SHEARER
LENNY: HARRY SHEARER
CARL: HANK AZARIA
MOE: HANK
AZARIA
DR. GREGORY
HOUSE: HUGH LAURIE
JOHN
WALSH: HIMSELF
NURSE:
ACT TWO
FADE IN:
INTERIOR NEWS STUDIO – DAY
KENT BROCKMAN is doing the
news. While he is reading the story, we see a picture of Dr. Hibbert in the
corner of the screen.
KENT BROCKMAN: This is
Kent Brockman with the news. People in Springfield aren't asking where Dr.
Julius Hibbert is, because no one cares! There is a new doctor in the house.
Now we see a picture of
Greg House on the screen in the corner.
KENT BROCKMAN (CONT'D):
Dr. Greg House, that is. People have been ooh-ing and aah-ing about him
ever since he and Springfield met. Let's go to Arnie Pie "In the Sky"
for a live report.
ON TV:
We see ARNIE PIE flying
the traffic helicopter, not realizing that he is "on" live.
ARNIE PIE: Why don't they
give me the same pay as you? I do the same amount of hours.
INTERIOR STUDIO –
CONTINUOUS
KENT BROCKMAN: Um… Arnie,
we're live.
ARNIE PIE: Who cares? I
only wish I got… (THEN HE REALIZES) …as much attention as this guy does!
EXT. HOTEL – DAY
We see an AERIAL VIEW of
the hotel. Dr. House is being pursued by a group of girls closely following
him. He runs toward the left, and the group moves to the left. He runs to the
right, and the group moves to the right. He can't move fast because of his cane,
so the group keeps pace.
ARNIE PIE: As you can see,
they just follow him like a magnet.
CUT TO:
INTERIOR MOE'S TAVERN –
DAY
MOE, CARL, LENNY, and
Homer are sitting around watching the news on TV.
LENNY: Now, how come I
can't get girls to follow me like that?
CARL: That's because
you're not cute.
MOE: Cute doesn't have
anything to do with it.
HOMER: It doesn't?
MOE: Nope. It is pure
luck.
HOMER: Luck, huh? Hmm…
Homer thinks about it.
BACK TO SCENE
We see a close up of House
as he tries to unlock the door of his hotel room.
HOUSE: Will you weirdoes
get away from me? Or do I have to start caning?
Then he manages to get the
door open and dashes inside. He slams it shut and locks it, and the girls start
banging on it.
INTERIOR HOTEL ROOM –
CONTINUOUS
HOUSE (CONT'D): I've got
to find a way to get out of this place before I go mad.
Then he gets an idea.
HOUSE (CONT'D): Where's my
game?
He grabs a handheld video
game, puts on the headphones, and begins playing it.
HOUSE (CONT'D): Ah… now this
is more like it.
The group of girls is
still banging on the outside of the door, but he doesn't hear any more of it.
BACK TO STUDIO
KENT BROCKMAN: I can only
hope he had a new weapon to combat this terrible ordeal he is going through.
INTERIOR SIMPSONS HOUSE –
CONTINUOUS
Marge, Bart and Lisa are
watching the TV.
BART: And this is
the guy you went to?
MARGE: It's not like we
had a choice. Dr. Hibbert was out.
LISA: He cured me of the
common cold.
BART: That's ridiculous.
No one can cure the common cold. Right, Mom?
MARGE: Apparently House
can.
Bart then shudders.
BART: Uhh…hh…hh…
ON TV
Kent Brockman is reading
the news; the picture of Dr. Hibbert is still in the corner.
KENT BROCKMAN: Will
there be anyone who will miss Dr. Hibbert? Apparently not.
INTERIOR SIMPSONS HOUSE –
CONTINUOUS
As the TV goes black.
MARGE: Bart! What did you
do that for?
BART (HOLDING TELEVISION
REMOTE): I'm getting tired of hearing how "great" House is.
LISA: I don't see a
problem.
MARGE: You should be glad
we have a doctor like House.
Bart shudders again.
BART: I can't take it!
Then he runs out of the
room.
LISA: Maybe he needs to
see the doctor?
MARGE: Maybe.
INTERIOR BART'S ROOM –
CONTINUOUS
Bart enters.
BART: I've got to find out
the truth about this guy. Nobody can be that good. Then
everyone will believe me. This guy must be some kind of a con artist. I need
to expose him.
Bart starts writing up a
plan.
BART'S FANTASY:
Bart envisions JOHN WALSH
doing a segment of "America's Most Wanted".
JOHN WALSH: Tonight's
story takes us to Springfield USA, where a ten-year-old boy was smart enough to
call us here at "America's Most Wanted" and give us a tip about
what this evil man has been doing.
Now we see John
interviewing Bart.
JOHN WALSH (CONT'D): What
tipped you off about this "Doctor" House?
BART: What got me going,
John, was the way he could supposedly cure people of almost anything.
JOHN WALSH: Anything? Are
you sure?
BART: Yep. Even colds.
JOHN WALSH: Oh my gosh!
This is serious.
BART: I know. That is why
I called.
Then we hear Bart
snickering offscreen.
BART (CONT'D): What was
that?
BACK TO SCENE
Now we see Bart sitting at
his desk snickering.
BART (CONT'D): Screw this
plan; I'm calling.
Then he runs out to a
nearby pay phone.
INTERIOR SIMPSONS HOUSE –
LATER
Homer, Marge, Bart, Lisa,
and Maggie are gathered around the dinner table.
MARGE: All I've been
hearing are good reports about this Doctor House.
HOMER: Me too. Moe was
saying that this House guy can put him out of business.
LISA: How's that? Does he
have a cure for alcoholism?
MARGE: Yeah… that's right.
HOMER (SCARED): I hope
not!
BART: I called America's
Most Wanted.
LISA: You can't do that.
BART: Why not?
MARGE: When they say
America's "most wanted", they are talking about fugitives. Not
most-wanted professions, like doctors.
HOMER (CONFUSED): They
are?
MARGE (TO HOMER): Yes,
Dear. (TO BART) Now stop calling them!
BART: But he's a crook!
LISA: How do you know?
BART: He's a con artist.
Lisa begins laughing.
LISA: You're jealous!
BART: I am not.
LISA: Are too.
BART (V.O.): I've got
to find a way to expose him.
INTERIOR WAITING ROOM –
DAY
We see several people in
the waiting room, different patients from last time. Every chair is taken
again. Now we see Bart, disguised with a thick black mustache.
NURSE: Mr. Smith. You're
next.
INTERIOR HALLWAY -
CONTINUOUS
Bart follows the nurse
into an exam room.
NURSE (CONT'D): The doctor
will be in soon.
She closes the door and
House shows up, leaning on his cane.
HOUSE: Do I need Vicodin
for this one?
NURSE: Oh, definitely. I
would.
He hands her a few pills,
then takes some himself before going in.
INTERIOR EXAM ROOM – CONTINUOUS
As House enters carrying a
folder and using his cane.
BART (SURPRISED): You're
House?
House picks up on it.
HOUSE: Yes, I'm Greg
House. What seems to be your problem, little boy?
BART: I'm not a little…
(CHANGES HIS VOICE TO SOUND LIKE AN ADULT) I'm John Smith.
HOUSE: Okay. Whatever you
say, Mister Smith.
Then he pops some more
Vicodin.
BART (V.O.): This will be
easier than I thought.
BART (IN ADULT VOICE): I
have some pain over here. (THEN HE POINT TO HIS SIDE) Right here.
HOUSE: Does it hurt when I
do this? (THEN HE TOUCHES THE SAME PLACE) Right here?
BART (IN ADULT VOICE):
Yes.
HOUSE: How about when I do
this? (THEN HE TOUCHES ANOTHER SPOT) Like this?
BART (IN ADULT VOICE):
Yes. (TRYING TO KEEP UP) Yes.
House now touches the
other side of his body.
HOUSE: What about when I
touch here?
BART (IN ADULT VOICE):
Yes.
HOUSE: Oh, my God.
BART (IN ADULT VOICE):
What is it?
HOUSE: It's spreading!
BART: What? (NOT REALIZING
HIS VOICE IS BACK TO NORMAL): What's wrong with me?
House smiles as he looks
at Bart.
HOUSE: I'll tell you
what's wrong. (BEAT) You're faking it!
BART: I am? (IN ADULT
VOICE) I mean, I am?
HOUSE: Yes, and you're
doing a horrible job.
BART: I am not!
HOUSE: Are too. You can't
even keep your voice straight. It keeps switching.
BART: That's what happens
to you when you get older… (IN ADULT VOICE) …your voice changes.
HOUSE: If there is one
thing you can't do, it's con Greg House.
Then he turns away from
Bart.
BART: Fine.
Then he gets off of the
table and heads for the exit, and collapses.
BART (CONT'D): Oww!
HOUSE: I'm not buying it.
BART: But it hurts!
HOUSE: I told you, I'm not
buying it.
He turns around and sees
Bart on the floor.
HOUSE: Excuse me.
Then he steps over Bart
and heads for the door.
BART: I'm in pain!
HOUSE: Where is it now?
BART: On my right side.
HOUSE: Let me check.
Then he looks Bart over.
HOUSE (CONT'D): Okay. I'm
scheduling you for surgery.
BART: What?
HOUSE: It could be your
appendix.
BART: Huh?
HOUSE: Unless you're
faking this one?
BART: Ugh… no.
HOUSE: Then you're having
surgery ASAP.
Then he exits.
FADE OUT:
END OF ACT TWO
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