Showing posts with label Steal My Stuff!. Show all posts
Showing posts with label Steal My Stuff!. Show all posts

Saturday, June 30, 2007

Steal My Stuff: When Imagination Takes Flight


Way back in early February, I made mention of a, ah, novel idea:
Back in college in the early eighties, I came up with the plot/question of what it would be like – as written from the inside – to have one's memories thoroughly scrambled. Picture your life as a large binder full of many, many pages of photos, letters, stories, recollections, and so on. Whoops; binder snaps open under a strong wind, and the pages go flying downfield.
You hurriedly gather the sheets… but there's no longer any continuity between them, no progression from A to B to… Z. And you'd never dated/numbered the pages! How do you reestablish your self-identity, self-awareness, with this loose sheaf of dirtied paper? You need to read it, refer to it, use it, NOW; no time to sort and analyze… and here comes a bull!!
I gave up after a few years of first-person vignettes, since I couldn't find a way to bring the story – by its very nature – to rise above being a dreckful hash of jumbled, disordered pieces. A good several of these pieces into the book, there was to come the fellow's key recollection/recount of how his memory was scrambled… likely several pages after the (later) conclusion of how to unscramble it all. Slowly, lurching through his lifetime, he'd rebuild himself using his emerging realization of what had befallen his psyche. This would be told in the nature of the vignettes, and the commonality that begins to emerge between them.
I followed this up with a sample vignette, inviting either of my occasional readers to actually help themselves to it and see what they could make of it, should they be interested. Why not? I wasn't doing anything with it.
Well, here's another piece of tripe, this from a later phase of my fragmentary pieces in the late eighties – the same flood of quick bits that gave us a boy and his Cornelius. So, once again… steal my stuff!!
I slapped the alarm cutoff and spent a full half-second of aural ecstasy in its absence. But enough of that, too; I had to focus my attention on getting this disintegrating scow down in less than twenty pieces.
With the heat shield ablating everywhere it wasn't supposed to, this poor-man's crash-landing was feeling like a mad scientist's toboggan ride into Hell… say, starting at the lip of the Grand Canyon. Picture that? Good; now remove the shock absorbers. And the air conditioner. Pull out your earplugs. And supe up on ultraspeed, about 150 cc's.
What response I was getting from the broken control sticks was more welcome than afterburners in Indianapolis; nonetheless, I'd've given even half my control power for just a little imaging on the screens. It's really nice to be able to see where you're going to get buried –
I pretended the sweat wasn't making my hands slippery, and I prayed the ship into the position I'd almost be able to survive. Pull up, belly down, and ignore all images of the fifties' serials –
You know, some crash-landings don't make any sound at all.
***
How long I'd been sitting on my tuchis, staring at the still-steaming steel-heap, I'll never know. I had slowly come to realize, in less than an eon, that Hell looked remarkably like the last view I'd had through a viewscreen of a flying saucer, only this was about five miles closer.
While considering the possible benefits of standing up, I concluded that I must have been thrown into a Heinlein novel. Boy, that old guy sure could write 'em, couldn't he? I wondered how soon a redhead with a big nose would come sauntering up (nude, or en kilt?), while a smaller part of my brain was inventorying broken bones, bumps, bruises, and chirping birds.
My literary criticism was interrupted by the total: no bones broken, three sprains, a wrench, and three-thousand two-hundred and ninety-four bruises. I noted this as a conservative estimate.
Next cliché: where was I? Roswell, New Mexico? Boy, I'd have fun explaining that one. "You see, President Eisenhower – " or was it Harry Truman?
No Roswell here. Nor New Mexico. Nor Mexicans. What was here was a low hill with a smoking ruin crumpled against one side. No smoldering furrow; I must've almost cleared this rise. On the other side –
Climbing the hill, I listened to my bones and tendons reassure me that they still had nerve-endings, and took the reassurance as a good sign. I didn't complain over eighty decibels. Call it a grunt.
On the other side –
On the other side was the reason I could thank God for placing hills in unexpected places. I was looking on an ocean – well, enormous lake with no opposite shore visible; waves; tide? An ocean.
My strained imagination pictured me trying to get out of a ruined foo-fighter under a hundred feet of water, and being unable to open what remained of a hatch. Or, worse, being able to open it. "The waters come rushing in – "
Someday soon, I really must take up swimming lessons; this doggie-paddle's for the birds. All that water, and just this one li'l hill between me and it –
O most merciful Allah, I most humbly praise thee for thy compassion, most lovingly bestowed on this thy undeserving worm…
I never did see the chappie with the bow; as I fell backward I noticed an arrow had decided to grow out of my chest. My last thought, as I looked up at the dusk racing down on me, was a recollection of an old story: a man had plunged his car down a two-hundred -foot embankment, staggered back up the slope, and through the broken guardrail, only to be struck down and killed instantly by a passing ambulance.
[fragment ends here]

Friday, February 9, 2007

Steal My Stuff: The Wolf Sings...

Well, I was going to post here an email exchange with a friend, dealing with the issue of parents who may be starting to slip, mentally. Likely – if I do post it – it will be in a couple more days. But since the last several postings were downright serious, I'll lighten up a bit and invite you to Steal My Stuff again.
 
(Earlier I set to tweaking some of the text settings, and that didn't work, so we're back to importing via Word… and chopping up the paragraphs, alas. I will figure this out – even if I have to follow the instructions.)
 
Anyway, here's a story-fragment from September of 1983; its setting is later that same decade… and probably somewhere in the rural mid-Atlantic US. The "Woolfson" singer, for those of you who remember 1980s music, was one-third of the core of The Alan Parsons Project, Eric Woolfson: lyricist and vocalist – it's his voice on "Time" and "Eye in the Sky". But he never wrote or sang the songs here in this post, on his own or elsewhere… I wrote them, trying (somewhat weakly) to "channel" his style of voice and word. (Uphill Den and Carrier are also groups I invented, and whose work shows up now and then in my own.)
 
I never found anyplace in other stories to put this little scene, though I do like the budding warmth (or is that bubbly warmth?) between the two characters, and a bit of the repartee, but I don't see how or where I can make this piece work.  So… feel free to Steal My Stuff!
 
***
 
"It was nice of Bill to lend us his van for the evening," I observed as I set the glass down.
 
"Yes, wasn't it," Karen said with a smile. She slid a side window open, and a soft breeze gently lifted the white curtain. "It was also nice of you to slip him 40$ for this."
 
I adjusted the volume on the tape player to subliminal suggestivity. It was classic Bread – the more of which the better. Who needs Uphill Den, Carrier, The Clash, et al.? I answered, "Me? Bribery? Of a friend, no less!"
 
"Yes," Karen answered, "all of the above. I have the distinct feeling someone is trying to force himself on me." She snatched the cassette out. "Love songs, no less."
 
A little rooting through Bill's case yielded a well-worn, ancient Iron Maiden. I took it from her, and replaced Bread with Woolfson's latest, which I slid into the player. At once we heard "Thunder":
 
If I gaze at you in candlelight
And dream of you in drifting moonlight
And when you smile at the words I sing
Can I help doing anything?
 
For like the thunder
of a sudden… summer storm
Like the thunder
at the crashing ocean's shore
My heart is pounding
With my love for you—-
 
I fully expected her to switch the player off. But instead she gave me a pleasant smile, and let the song finish. "You get an F for subtle, you know," she said softly. "But that's always been a sweet song to me."
 
She surprised me further by gently pulling me down for a three-minute kiss. "You didn't have to force anything," she said then in a whisper.
 
"You mean the way to a woman's heart is music?"
 
"Not always, silly thing. To get a foothold you have to treat her like a woman."
 
"Like a woman who is the Queen", I answered truthfully. Again Karen nodded. "You do know it." She kissed me again. "You know," she whispered after a few weeks, "I think we have a chance at something here. I—" 
 
Talking softly, her voice verged on slightly husky. But my finger on her soft lip quieted her. "An observation like that is unnecessary." Too much fertilizer will kill the rose, I thought.
 
Karen responded by kissing my fingertip.
 
"Now," I added, "now that the evening is young—"
 
"—and we are gay! — "
 
"—and we are definitely not, I've got a little something else planned." I moved forward to the driver's seat. Karen settled in on the passenger side, sitting on her bare heels. Reaching back, I slid Woolfson's "Miracle" tape back in and we drove off to the stronger "Young and Foolish":
 
We were young and foolish, you and I
The world was a game we had to play
The game was to live before we were too old
We were young and foolish, you and I
And now I am old and wiser—
Where are you today?
Where are you today? 
 
"I think this is isolated enough," I said. The van was now parked in the exact, geographic center of 157 acres of foot-tall blowing green grass. (Four-wheel drive helps; Dad owning the field doesn't hurt.)
 
"Well," Karen breathed. "When I said ‘Get lost!', I didn't expect you to take me seriously."
 
"Neither did I," I answered, carrying out the box from behind my seat.
 
Facing downwind, I waved a large lace table cloth, then set it down on a square of grass I'd just flattened. I looked around. Yes, far enough from the van that it wouldn't obstruct too much of the view. I began setting out wine glasses, bottles, and assorted expensive condiments.
 
Karen clapped her hands in too-thick glee. "Oh! A picnic! Let's! I'll get the pillows." But she was kidding about the pillows; she stayed put.
 
I gave her a wry face. As soon as the cork was out, I had Karen sniff it. Her response: "Yuck. I am supposed to drink this?"
 
"No, just nibble on it a bit. The vintage is Taylor California ‘85 – a hard one to get hold of, you know."
 
Karen Taylor whistled appreciatively. "I am impressed." She took the glass as I handed it to her. She klinged it against mine. "Amor vincit omnia!" she declared boisterously.
 
"Nemo me impune lacessit," I agreed.
 
"In vino veritas!"
 
"Dum vivimus, bibamus!" And I belched slightly, having run out of high-school Latin.

Thursday, February 1, 2007

Steal My Stuff: Tripe, With Vignette Dressing

Time to break open another blog-category here: Steal My Stuff! (apologies to Abbie Hoffman, yip yip) 
In my mid- to upper forties now, I've been writing for my amusement (and for grades in school/college) for over thirty-plus years – in which time I've managed to garner one little rejection note, but another one of my pieces did appear in a popular magazine a few years later… although this was an adult magazine, and I don't dare show the kids, or my mother for that matter. And this was almost twenty-five years ago! 
The fiction I write is mostly light-science SF (i.e., no particle accelerators), dabbling occasionally into fantasy (a projected trilogy set in Mu and Atlantis; time-travel, which – see Niven – is more fantasy than SF; some slightly-more-mainstream-mystical stories revolving around a neo-Christian cult of pacifist psychokinetics; etc.) 
Nonfiction I write is essays (i.e., most frequently emails that grow too long and tax the patience of friends and relatives!), mostly on history, religion (especially Catholicism), politics, and language… but can veer off into many other realms. 
The remainder is verse/poetry ("Poems, everybody! The laddie fancies himself a poet!": that's from Pink Floyd's "The Wall" film), which is the bulk of what I've been writing the last ten years. Some of it is downright good, I have to admit… and so likely won't show up under "Steal My Stuff", heh-heh. 
Overall… what I write, there is little or no market for. SF sections of your bookstore are saturated… and who buys poetry-books by anyone other than Angelou and Chesterton nowadays? 
Of course this is self-defeatist… but the viewpoint nonetheless leaves me free to write for my own amusement (as in this very paragraph), and under little or no pressure. 
Back in college in the early eighties, I came up with the plot/question of what it would be like – as written from the inside – to have one's memories thoroughly scrambled. Picture your life as a large binder full of many, many pages of photos, letters, stories, recollections, and so on. Whoops; binder snaps open under a strong wind, and the pages go flying downfield. 
You hurriedly gather the sheets… but there's no longer any continuity between them, no progression from A to B to… Z. And you'd never dated/numbered the pages! How do you reestablish your self-identity, self-awareness, with this loose sheaf of dirtied paper? You need to read it, refer to it, use it, NOW; no time to sort and analyze… and here comes a bull!! 
I gave up after a few years of first-person vignettes, since I couldn't find a way to bring the story – by its very nature – to rise above being a dreckful hash of jumbled, disordered pieces. A good several of these pieces into the book, there was to come the fellow's key recollection/recount of how his memory was scrambled… likely several pages after the (later) conclusion of how to unscramble it all. Slowly, lurching through his lifetime, he'd rebuild himself using his emerging realization of what had befallen his psyche. This would be told in the nature of the vignettes, and the commonality that begins to emerge between them. 
Still, most of what little fiction I write now is little pieces of projected bigger stories; one in particular is a time-travel story with very good market-potential… if at least two movies and a couple best-selling novels hadn't paved the field over, painted lines, put in a parking deck, Starbucks®, and an office complex. No suites to rent. 
So here's something from the abandoned Fragments novel. You're welcome to it – I still kind of like the banter, but the whole thing is too shallow and doesn't have the hooks I'd need to fasten it firmly on to something more redeemable. (Plus I tend to be a lot less bawdy nowadays!) I wrote it in October of 1981; I was barely in my twenties, and just had to get the words out. 
I miss that innocence. But go ahead; Steal My Stuff! 
"Hey!" Bill called from near the east mirrors. "Has anybody heard about the government's new prostitution tax?" 
Heads turned expectantly, including mine; I grinned wryly. Bill always got invited to parties; you could count on him to throw in a few standup-comic type jokes. Always they were original, and never did he repeat himself. 
"Well," he sighed, shaking his head convincingly, "I guess I'll have to tell you about this. Really, nobody pays any attention to the news anymore." 
"Grunt," I said, as someone bumped into me. I turned to find Cheryl with my scotch refill. 
She was smiling broadly. "That Bill really thinks he's a wit," she commented, gesturing with my drink. 
I liberated it, adding, "Yeah, and he's half right." I had had a tendency lately to break out in Robert Heinlein quotes. I had to cut that out. Maybe Vonnegut instead. 
"You see," Bill explained, having strode to the center of the room, "now that prostitutes have been licensed, Uncle Sugar has decided to get into the… act. With, voilá, a prostitution tax." He began pacing to the fireplace. 
"The first installment of the tax is paid the moment they guy – or gal – the customer – the moment the customer gets his orgasm." 
"Isn't that a bit, uh, anticlimactic?" Cheryl asked from our position near one of the north corners. I nudged her. 
Some of the guests chuckled; Bill blinked a moment, then responded: "Would you consider writing some material for me? Never mind! I'm not done yet. See me after class." He resumed pacing. 
"Now, ladies and gentiles, jadies and lentilmen, the orgasm tax is not enough for our Infernal Revenue Service. No-o. Because after you've finished your business, gotten dressed, and are ready to leave, the second installment is paid. This is done just as you walk out the door. 
He stood still near the mirrors, huge toothy smile plastered askew across his face. He was relishing the guests' expectation. 
"Once again the Fed gets you coming… and going." 
His audience applauded him with loud groans. 
"Really!" Bill added. "There's even something called the Head Tax… but we won't discuss that. Gi' me a drink, somebody!" 
Cheryl was chuckling. "That should make him hesitate before telling any more of those around me." 
My only answer was to stroke her bare, soft back. 
"Hey, Sir William," Cheryl called as Bill stepped our way. "You're really into prostitutes, aren't you?" 
Bill laughed. "Jerry! You didn't tell me your wife–" 
I held up a warning finger. "She wasn't making an offer." 
"Damn." 
"She isn't that kind of girl." 
"That's okay; I don't have that kind of money." 
"Two reasons: Number Two: She refuses to charge–" 
"He'd be in debt up to his–" 
"And Number One: She will not do it with animals. Which leaves you out." 
"Oh well," Bill sighed, "there's always a call for a fox somewhere." 
"You'd never know," reminded Cheryl. But she continued, "Bill, I wanted to ask you what the proper name for a Mexican prostitute is." 
He looked at her. "A Frito Lay?" 
Cheryl laughed so hard she spilled her drink.